“The art business is not something you can equate to any other business. They’re not selling stocks and bonds here. They’re selling fine art.” Thus spoke dealer Helly Nahmad in a recent New York Times article entitled “The Fickle Salesroom,” which reported on a 40...
Any art dealer knows that the size of the painting he or she is offering is going to be an important factor in getting a collector to purchase the artwork. Collectors with loft-style walls may make exceptions for large contemporary paintings, but dealers in older art...
As part of a group from the Appraisers Association of America, I visited the studio last week of sculptor Chaim Gross (1902-1991). The building in Greenwich Village now houses the Renee and Chaim Gross Foundation. It’s definitely worth a visit – the ground floor...
My two-year-old granddaughter, Veronica, was sitting at my dining room table last week, having some strained pears and admiring Water Garden #1, a painting by the late Paul Gardere. It’s a large, complicated piece by an artist who was also large and complicated. Paul...
In 1981 I arrived in New York, jobless and with a wife and a baby daughter to support. I had worked in art publishing in Chicago and hoped to find something similar in New York, but a professor I had known at the University of Chicago called me and made a suggestion...
